Sonntag, 17. März 2013

Vertrauen sie mir - ich weiß, was ich tue!

Wie zum Henker schreibt man ein zehn Minuten Stück?

Heute möchte ich Euch mit einem Entwurf zu einem 10 min Stück beglücken.  Wenn ich ans Schreiben dachte, habe ich nie daran gedacht, daß ich Dramen schreiben möchte. Das hat sich natürlich auch an meine Herangehensweise an das Schreiben selbst ausgewirkt. Nämlich lange Zeit den Bildschirm anstarren, ohne nur eine einzige Zeile zu tippen. Dazu kommt das Englisch nun mal nicht meine Muttersprache ist und sich wirlich fast jeder Dialog ersteinmal unnatürlich anfühlt. Zwar bildet ein Dialog in einem Theaterstück nicht ab, wie wir wirklich sprechen, da der Theaterdialog quasi poliertes sprechen ist, aber normalerweise fließt er schön.
Diese beiden Aspekte haben doch dazu geführt, daß ich eher lustlos mit der Ausführung begann. Dabei war ich von Anfang an von meiner Idee überzeugt. Die Idee zu dem Stück kam mir während der Lektüre "The Three Christs of Ypsilanti", das ich hier schon mal kurz erwähnte. Wie man deutlich lesen kann, handelt es sich bei 2 plus 1 um einen Entwurf, der noch nicht abgeschlossen ist. Während ich anfing zu schreiben, habe ich einen immer deutlichen Eindruck von meinen Figuren bekommen. Das hat mir geholfen, in die Geschichte reinzukommen. Allerdings bin ich immer noch unentschlossen, wo das Ganze enden soll. Im April ist Abgabe, dann werde ich schlauer sein. Allerdings würde ich es dann auch gerne mal live sehen. Ich glaube, das tolle am Theater ist wirklich, daß es für die Bühne gemacht ist. Ideen für ein mögliches Ende sind natürlich willkommen. Also bitte an mich wenden!





2+1


A ten minute play


CHARACTERS


LEO – a patient in his 40ies, shy and sensitive


JOSEPHINE– a patient in her late 20ies, boisterous 


DR. BLOOM – the doctor, middle aged man


A NURSE



SCENE I


The play is set in a psychiatric ward. It should not give the impression of ONE FLEW OVER THE CUCKOO’S NEST, but rather it gives a warm and welcoming feeling.  The room contains three comfortable chairs, a little table with a box of tissues on top of it. On two walls you see packed bookshelves, on the third wall hangs a print of the painting THE TWO FRIDAS by Frida Kahlo.


DR. BLOOM is sitting in the consultation room, looking tired and drinking Whiskey. When it knocks, he springs from his chair and hides a half empty glass of Whiskey and bottle behind some books. 


DR. BLOOM: Come in!


Leo enters the room and takes a seat and looks to the floor. 


DR. BLOOM: Hello Leo, how are we today?


LEO (avoids eye contact): Fine, Dr. Bloom, thank you. 


DR. BLOOM: How is your profession…I mean… vocation going?


LEO:  I would prefer you would call it my calling, doctor. Fine, thanks.  


DR. BLOOM starts writing on a notepad he holds on his lap.


DR. BLOOM (shakes his head nearly unnoticed): You have been with us for a while now. Have you met Josephine yet? I thought we should try something new, something that might help you. I would like to introduce you to each other.


LEO: But I am fine, doctor. Really. Why should I meet anyone new? I don’t want to  -


DR. BLOOM: Excellent. Actually she should have been here by now…


DR. BLOOM looks at his watch.


LEO: I don’t want to meet anyone new. People give the impression they don’t understand me. 


DR. BLOOM: She seems to be late, let me get her quickly. 


DR. BLOOM stands up and opens the door. JOSEPHINE stands in front of the door.


JOSEPHINE (while entering and taking a seat): Thank you. 


DR. BLOOM: Oh Josephine, you are already here. You didn’t just stand outside waiting for me, did you?


JOSPEHINE: Of course not, I arrived as soon as you opened the door.


DR. BLOOM: Well for next time can I suggest just knocking? 


JOSEPHINE: Next time I will let you in.


Leo looks shyly to the floor again, DR. BLOOM looks irritated and goes back to his chair.


DR. BLOOM (smiling through his teeth): Good, as we are all here now and as we haven’t met before I would suggest we start with a short introduction. I’ll begin to break the ice. I’m Leonard Bloom, I have been working here as a psychologist for six months now. I am married to –


JOSEPHINE starts coughing. DR. BLOOM looks at her even more irritated. LEO looks at JOSEPHINE.


JOSEPHINE:  His wife has recently left him. 


DR. BLOOM looks at JOSEPHINE with his mouth open. 


 LEO: What? Really? I am sorry to hear that Doctor. I hope you won’t get a divorce doctor?


DR. BLOOM: Please, both of you. Please. We shouldn’t focus on my private life. It just slipped my tongue. It only happened recently. But it shouldn’t bother you. Josephine, I have no idea where you heard this one from, but it has nothing to do with our counselling session.  Could we continue without discussing my private life? Thank you. Leo, maybe you can go next?


LEO: You shouldn’t say it doesn’t matter. My father taught me: ‘Thou shalt not commit adultery.’


JOSEPHINE: Oh, that’s what my father always tells me! He would probably add: “May your fountain be blessed, and may you rejoice in the wife of your youth.  A loving doe, a graceful deer-- may her breasts satisfy you always, may you ever be captivated by her love. “ – How sad it is too late for you, Dr. Bloom.


Leo looks for the first time at Josephine. DR. BLOOM controls himself visible for others and doesn’t say anything. He clings to the armrests.


LEO:  My father is saying exactly the same… 


DR. BLOOM: Ok, stop it you two. Stop it.  Who is speaking about adultery, Leo? Josephine, my wife simply left me. It happens. It shouldn’t bother you. (starts tapping the notepad with his pen) . Could we please finish the round now? Leo?



LEO: Yes doctor. Of course doctor. Hmmm…What about me? I am just Leo.  (He reaches forward to get a tissue out of the box and starts to scrunch it up. )


DR. BLOOM: And? Anything you would like to add?


LEO (his speech gets quieter with every word):  I am Jesus Christ, saviour of humanity and Son of our Lord, my father? 


JOSEPHINE: NO WAY! That can’t be!


LEO: I am sorry, I didn’t mean to -


JOSEPHINE: Sir, no offense, but that’s crazy. You can’t be Jesus. 


DR. BLOOM (looks at Josephine): And why are you saying this, Josephine?


JOSEPHINE: Because, he is obviously deluded. That’s why. He can’t be me. I am Jesus. 


DR. BLOOM: You are not saying he pretends to be you, are you?


JOSEPHINE: No. I am saying, he’s a liar. 


LEO (clears his throat): As my father always points out: Thou shalt not lie! I wouldn’t do it!


JOSEPHINE: If you are saying this, you’d better start listening to your father. 


DR. BLOOM interrupts quickly.


DR. BLOOM: Okay, let’s assume neither of you is lying. What has happened then?


JOSEPHINE: It’s easy. Sir, he might be an instrumental god. They rank over Angels but are inferior to the saviour.  Or he is deluded. 


LEO (mumbles): Excuse me, I can’t help it that I am Jesus. I didn’t ask to be.


JOSEPHINE (towards LEO): I have news for you. Forget it, you better start worshipping me.

LEO: Thank you, but I have my own religious followers. 


JOSEPHINE: Maybe in the clinic. You better get your OWN life and wake up to the facts here! 


DR. BLOOM nervously slides on his chair.


DR. BLOOM: Please, could we try not to offend each other?  


JOSEPHINE: Let he who is without sin cast the first stone.


DR. BLOOM: What a thoughtful remark, Josephine. Still, I would prefer we could continue without insulting each other? Please?


JOPSEPHINE nods but doesn’t say a thing.


LEO (into the quiet room): Are you an atheist Dr. Bloom?


DR. BLOOM: What has THIS to do with anything?


LEO: I was an atheist myself before I lost my wife. 


DR. BLOOM: I don’t think in this session is any room to discuss our private beliefs.


LEO (ignores DR. BLOOM completely and stares at the ceiling): I loved Sharon. (Starts sobbing) But this damn night ruined everything. It was my entire fault. I decided to go out drinking with my boys. Just for a couple of beers like we use to, every Friday night. She asked me if I could pick her up. It was snowing that day. She didn’t feel confident driving under such weather conditions. (Beat.) She had a car crash on her way back home. She died in hospital the same night.  And then after all these years my real father spoke to me. Suddenly his voice filled my head….(He stands up and spreads his arms)


JOSEPHINE: Pathetic.


DR. BLOOM: Josephine!


LEO: What did you say? (Drops his arms.)


JOSEPHINE: You are a liar, Leo. Your wife didn’t die in a car crash. She left you because you were an alcoholic. 


LEO looks at JOSEPHINE and takes a seat. He picks another tissue and starts to crunch it.


LEO: I was just out drinking with the boys. 


DR. BLOOM (sighs): I know how these stories end.


He reaches out for the tissues and starts sobbing. LEO is irritated; JOSEPHINE grabs another tissue  which she offers DR. BLOOM. Someone knocks at the door. A NURSE opens the door without waiting for the permission to enter. DR. BLOOM stops and looks at the NURSE)


NURSE: Sorry Dr. Bloom, excuse my interruption. But we have an urgent phone call for you at the reception.










Sonntag, 24. Februar 2013

Conformity gone mad - Shirley Jackson "The Lottery" (Rezension)

Literarische Obsessionen können harmlos anfangen.

Beispielsweise mit einer Kurzgeschichte namens The Lottery von Shirley Jackson. Während meines Moduls Introduction to Fiction mußten wir eine Reihe von Kurzgeschichten lesen. Eigentlich bin ich kein großer Kurzgeschichten-Fan. Ich präferiere Welzer. Wir leben ja schon in schnelllebigen Zeiten, da macht es mir einfach Spaß mich für längere Zeit aus dem Geschehen mit einem guten Buch auzuklinken. Das höchste der Gefühle ist für mich eine Novelle, aber bei oben genannter Kurzgeschichte hat es trotzdem klick gemacht. Mittlerweile habe ich weit über 50 Pfund ausgegeben, um Jacksons literarisches Schaffen auf meinen Regalbrettern einordnen zu können.

The Lottery wurde 1948 das erste Mal im New Yorker veröffentlicht und die Reaktionen waren ausgesprochen negativ. Aufgebrachte Leser_Inen kündigten ihr Abo und schrieben bösartige Leserbriefe. Von den über dreihundert schriftlichen Reaktionen, waren nur 13 positiv, die auch noch überwiegend von Jacksons Freund_Inen kamen.  Ihre Mutter schrieb Jackson sinngemäß als Reaktion auf die Kurzgeschichte: "Vater und mir war deine Geschichte im New Yorker gänzlich egal [...] es scheint, Liebes, daß diese düstere Art des Erzählens alles ist, was euch junge Menschen dieser Tage interessiert. Warum schreibst Du nicht etwas, um Menschen aufzuheitern?". 
Jackson selbst erinnert sich, "daß der allgemeine Ton der früheren Briefe zunächst [...] nicht so sehr damit beschäftigt war, was die Geschichte bedeutet; was die Schreiber_Inen wissen wollten, wo diese Lotterien statt fanden und ob sie dorthin gehen und zuschauen könnten." - Was, wer die Geschichte gelesen hat, kein gutes Bild auf die Mitmenschen wirft.


Aber was hat die Leserschaft des New Yorkers eigentlich so aufgeregt?

Der Inhalt der Kurzgeschichte ist eigentlich schnell erzählt. In einer kleinen Stadt mit 300 Einwohner_Inen findet all jährlich ein Ritual statt, eben die Lotterie. Es handelt sich dabei um ein Ernteritual, das anscheinend einige andere Städte in der Gegend bereits aufgegeben haben, während in der beschriebenen Stadt, die Bevölkerung dieses Ereignis mit Eifer zelebriert. Allerdings hat dieses Ritual fatale Konsequenzen.
Atmosphärisch hat mich die Kurzgeschichte stark an The Wicker Man, einen britischen Horrorklassiker des Films, erinnert. Wahrscheinlich weil ich die Dorfgemeinschaft, die Jackson beschreibt, als genau so isoliert und ja, auch irgendwie hinterwäldlerisch wahrgenommen habe.
In der Kritik steht die Herdenmentalität, in die Menschn nur zu gerne verfallen und mit welcher Dankbarkeit man Traditionen folgt, ohne deren tieferen Sinn bzw. moralischen Implikationen zu hinterfragen.
Der Autorin gelingt es, zunächst das Bild einer ganz normalen (natürlich ein streitbarer Begriff, der Einfachheit halber aber trotzdem gewählt) Dorfgemeinschaft zu zeichnen. Doch halt, langsam überkommt einen als Leserin das Gefühlt, daß hier etwas nicht stimmt. Das Böse oder vielmehr Unmoralische schleicht sich in die Geschichte ein und zeigt seine unrühmliche Fratze im letzten Satz der Geschichte unverhüllt.

Da ich nicht alles vorweg nehmen möchte, sei auf die Seite des New Yorkers verwiesen, dort kann man sich im Podcast die Geschichte auf Englisch anhören. The Lottery gilt heute als eine der berühmtesten Kurzgeschichten in der amerikanischen Literaturgeschichte. Als Indiz für ihre Bedeutung läßt sich anführen, daß sich zwei der bekanntesten amerikanischen Zeichentrickserien, The Simpson und Southpark, in Richtung Jackson verbeugen und auf ihre Kurzgeschichte verweisen. 

In der Simpsons-Episode Dog of Death grassiert in Springfield das Lottofieber. Jede_r möchte gerne den Jackpot gewinnen. Auch Homer Simpson, und so er eilt in die örtliche Bücherei, um sich dort eine Ausgabe von The Lottery zu leihen. Er erhofft sich von der Geschichte Tips zum Gewinn des Jackpots.  Ken Brockmann, seines Zeichens der lokale Nachrichtenberichterstatter, berichtet über das plötzliche Interesse an der Kurzgeschichte, nicht ohne festzustellen, daß "das Buch natürlich keinerlei Tips beinhaltet, wie man die Lotterie gewinnt. Es ist vielmehr eine gruselige Geschichte über Konformität, die auf die Spitze getrieben wird." [Originalzitat nach Wikipedia: "Of course, the book does not contain any hints on how to win the lottery. It is, rather, a chilling tale of conformity gone mad."]

Auch die Southpark-Macher haben sich von Jackson inspirieren lassen. Die Episode Britney`s new look  baisert auf der Idee, was passiert, wenn Britney Spears in das Dorf kommt, in dem das Ritual the Lottery statt findet. Teile des Dialogs in der Serie sind Originalzitate aus Jacksons Geschichte.

In meinem nächsten Blogpost möchte ich mich Jacksons Romanen widmen, We have always lived in a castle, The haunting of hill house  und The Sundial, die durch ihre Motive miteinander verbunden zu sein scheinen, dem Übersinnlichen und dem Horror, aber eben auch Isolation und Abgrenzung. Wer Autor_Inen wie Neil Gaiman oder Stephen Kind mag, sollte bei Jackson durchaus einen Blick riskieren.

Eine kleine Randbemerkung zu deutschen Romanausgaben: Jacksons Romane scheinen zur Zeit nur gebraucht erhältlich. Mitunter ist also auf dem antiquarischen Buchmarkt das ein oder andere Schnäppchen zu machen. Im Englischen sind leider auch nicht sämtliche Titel von ihr erhältlich. Aber es scheint, dass man sich bei Penguin der Sache angenommen hat. Im Laufe von 2013 werden ihre vergriffenen Romane wieder veröffentlicht. Wer nicht so lange warten kann und ein wenig Geld übrig hat, findet sie natürlich auch gebraucht im Internet. Oder im second hand Laden seines Vertrauens.

 Bibliographischer Steckbrief meiner Ausgabe:

Autorin: Shirley Jackson
Titel: The Lottery and Other Stories
Verlag und Erscheinungsjahr: Penguin 2009
Preis: 11,80 €
Seiten: 320

Mittwoch, 20. Februar 2013

Vertrauen Sie mir - Ich weiß, was ich tue!

Gerade sind wir im Poetry Modul. Natürlich gab es schon Feedback für die Poems, die ich geschrieben habe. Also betrachtet diese hier als Draft und wahrscheinlich werden sie in überarbeiteter Form später noch einmal auftauchen.

Natürlich sind alle eingeladen Feedback zu geben. Schreiben ist nun einmal ein Prozeß und im ständigen Fluß.

Persönlich finde ich es sehr schwer, gute Gedichte zu schreiben. Man hat doch sehr schnell das Gefühl verkitscht rüberzukommen. Und dann hat man ja noch die alten Meister im Kopf. Ich frage mich, wie die das mit den ganzen Reimschemata  gemacht haben. Ein gutes durchkonstruierters Gedicht ist wirklich harte Arbeit und ich bin dankbar, dass man im 20. Jahrhundert doch ein wenig formloser ist. Was nicht heißen soll, weniger inhaltsvoll.



To Max

A young sailor
 once,
And now an aging man
Anchored to work,
 What a curse.

That fearless conquerer,
Who tamed Wild Things, grew
Enslaved
To a desk
And a pen.

The greatest king,
He traded his land
For a meal
And his mother’s
 Affection.

Tell me Max,
What did you gain?
Can you say
That it’s true
Satisfaction?




With hollowed eyes

Parchment skin flaps around bones,
Consumed hands marked with age
- 12 spots on the left, 8 on the right-
Rest unawakenedly and the noise

Titters tauntingly and wan light reveals
stripped walls and stale smells pierce
Through the heart and the hour fades
Slowly. Her chattering breath stops.

And starts again.


Freitag, 4. Januar 2013

Vertrauen Sie mir - Ich weiß, was ich tue!



Imago - Venus as Valkyrie       


"So you are specialised in anthropomorphised computers?" Albert enquired of the young man standing in front of him.
 "Yep. Imagine it a little bit like Terminator. But obviously with a little less 'hasta la vista baby'. We at RoMan, or to be precise, Robot Humanoid Technology, have one dream - we want to create the perfect partner robot, one which could be used by anyone and everyone. It will revolutionise humanity just like the Internet did. Think about all the new possibilities. Let me give you an example, mate. Let's say your mum died. But, before she had passed away we were able to manufacture a replica of her. Then, whilst Mother is pushing up the daisies, you could meet with her new simulated self and have a chat about the past, a chance to ask all those burning questions you never got to whilst she was alive. No missed chances, never again. No regrets or remorse. Believe me, there's a whole market for it."
"Very interesting, Dr. Phoenix. Do you have a card for me?"


His wife had lost her fight against cancer four months ago and yet here Albert was standing in their dining room, waiting for Gertrude’s return. He stared at the collection of Meissen porcelain on the cabinet in front of him. His finger tips sliding over the mahogany, smiling when he found himself writing Gerti in the dust, drawing a heart around her name. He stared at it for a moment, then swept it away in a single movement, annoyed that the cabinet looked even untidier now than it had before.
He gazed upon the small figurine of the Dancing Harlequin he had brought back for her from one of his myriad business trips to make up for their lost time together. His appeasement politics often failed and Gertrude would ignore him for hours until he could finally smell the sweetest scent of cinnamon wafting in from the back of the house. And he would know that his Gerti was in the kitchen making his next-to-favourite dish, Moroccan tagine, cutting the ingredients harshly. Later they would sit opposite each other on the dining table and he would toast to their love. And Gerti would offer him a forgiving smile.
Albert sighed, looked at the watch, another thirty minutes to go. He strolled to the mirror, just to check if his tie was still done up neatly. For a moment he fiddled with the double Windsor, then reached out to tuck back a stubborn grey strand of hair. He gave his reflection an encouraging grin but he couldn't help it, he still felt tense just like the night before he had married Gertrude.


Thirty-seven years ago they had met in a student bar. Small and crowded; the music always too loud for any long or meaningful discussion. Amos, his friend, had introduced them to each other: "Albert, you have met Gertrude before, haven't you?"
Amos and Gertrude were from the same village. She was charming, spoke of her studies – French and Anthropology – did he know who Gautier was? Albert shook his head; he had been dismissive of the subject. At this point in his life, Albert's research was based around the topic of body topography as well as the less audacious subject of economics. But of course the next day he would go into a second hand book shop and look for a copy of Gautier's novel. Maybe she would like to “come along and make some other recommendations?"
Although Albert went home alone that night, he still felt Gertrude's presence around him: Her black hair cropped back in that pixie style, her eyes green as kelp. When she laughed everyone would turn their head. Her skirt was short, her legs seemed endless. How in God's name could he not fall for a girl like that?
Two months after that night they were married. A year later Gertrude was pregnant. Suddenly baby magazines were piling up in their apartment flat and Gerti asked Albert what he thought in regards to breast feeding. He needed to admit that he hadn’t given it much thought. Scrupulous, Gerti was preparing herself for her new role. Finding cheap baby clothes and debating with her friends if home birth was an option. There was no time for Gerti to go back to her courses at university. Meanwhile Albert worked hard for his new life, he graduated cum laude in economics, a very different career ahead of him.
"Why did you marry Mum, anyway?" their son Amos had asked him once while they were sitting at a restaurant table. Presumably Gertrude had phoned him and complained about Albert's overtime and business trips again? By that point Amos was already a grown man and Gerti and Albert had had the house to themselves for some time. Albert was amazed that he seemed to know more about his secretary – Linda, 38, a good size 8, two twin daughters and nails always polished in mint green - than about Amos' life, a great mystery Albert had given up on solving when Amos had become a teenager.
 "Why?" Albert responded defensively "I think it is pretty obvious that we were in love." Albert still couldn't get used to the fact that Amos had his own opinion. It irritated him just like an alarm that was never turned off, snoozing in the background, perpetual torture.
"That is exactly the thing, Dad, you are talking about it in the past. You just said 'we were in love'."
"Amos, I still love Gerti. A relationship just changes over time. I mean, I can still remember the first night we met in a bar. She looked stunning, like Twiggy with black hair. It was a mutual friend, Amos, who introduced your mother and I to each other. But you know this, don't you?"
"Yes, Dad. I know the story. That's why I ended up with this stupid name."
"What don't you like about your name?"
Amos didn't look as though he wanted to talk about aesthetic differences with his father; rather, he insisted on answers to his questions: "But Dad, really, why did you never get a divorce?"
Albert couldn't really say why. Of course, he had thought about it during the last year or so. Things had changed; he had spent most of his time out of the house, attention shifting to other subjects, other people, other women. There were moments he thought Gerti would be better off without him.
Her 52nd birthday came to his mind. He had arrived home late this day, his tie loosened as he had just collected the birthday present Linda had bought for Gerti. The gift was neatly wrapped in plain paper, just a golden bow, already slightly unravelled. When he entered the house, he found Gerti sitting in front of the TV, two wine glasses resting on the living room table.
"Darling, love, happy birthday" Albert said bowing down to kiss her cheeks.
"You are late", Gerti responded, focusing on the TV.
"I know. I know. And I am terribly sorry I kept you waiting my love. But, I could only collect your birthday present today, after work, I literally had no time before. And then on my way back, of course, the road was blocked."
"The road was blocked?" a smile leapt across her face.
"Yes, a car accident. I couldn't see much when I passed, just two cars, but there were three ambulances and some policemen. But please, let's not talk about it. It's your birthday, we should celebrate. I see you already opened the red wine?"
"Yes, I did. I assumed somehow you would come home early and we could go out for a nice meal. But now? I think I'm not in the mood for it anymore."
"Stop it silly. We can still go out. It's only half past eight. Here, I know what will cheer you up, your present." Albert said passing the gift into Gerti's lap.
Gerti looked at it for a moment, as if Albert had passed a slug over to her. Then her fingers carefully took off the bow and peeled the tape away.
"Nice" a fixed smile appeared on Gerti's face as she unfolded a colourful scarf.
"It took me forever to figure out what you might like. It’s pure silk. The colours will really show when you wear your dark magc. And it is from Gaultier, I remembered you telling me that you liked him."
"Gautier. The author Gautier, Albert. I told you when we first met and the next day we browsed the second hand book shops but we couldn't find anything by him, so you picked up Sartre."
"Oh, Gerti. Really? I am terribly sorry. I thought... I really did think..."
"It's okay Albert." Gerti blinked. "I already have everything from Gautier anyway and the colours are beautiful. Pure silk you said?", Gerti stood up and gave Albert a kiss on his mouth. "Would you like something to eat? I’m hungry." 
That was his Gerti. She was his paddle steamer; slightly outdated but doing her job quite gracefully. She never complained when he was out the whole day and came back late at night; she would already be tucked away under the sheets in bed, facing the wall. He would guiltily slide in next to her, waiting for questions that never came whilst he stared into the darkness.
She was the one he had decided to explore life with. He admired the fact that she had given up nearly everything to follow him and help him to become a successful investor. Albert had the feeling he needed to pay the price for his choices and he was willing to do so because he had gotten out of his adventure nearly everything he had wanted. It seemed unfair to him to leave someone like Gerti behind. Gerti never said anything to him, and in the end Albert thought there were always other options. After a long pause he eventually said: "Amos, I really do love her. Only in a different way now."

Over time, new arrangements were put in place by Gerti and Albert and both of them adjusted them carefully to their needs, which to some extent allowed them to live happily ever after. Or at least until Gerti had been diagnosed with cancer.
The cancer contaminated Albert as well. He saw the life shrinking away from her, saw her crying, exposing her in a way that nakedness never could. And now, at 63 years old, Albert knew he needed to grow once more. He stopped going to work and started to spend his time with Gertrude.
One afternoon both sat together in their winter garden. Gerti wrapped up in a quilt, her breathing heavy, rattling but constant, she had run out of tears weeks ago.
 In the late fall sun, withered trees were fading and a lost squirrel clambered from branch to branch.
“Albert”, she asked “are you afraid of dying?”
“I don’t want to think about it” Albert answered. His eyes following the squirrel.
 “When I was a kid…” Gerti prolonged, reaching for Albert’s hand “death didn’t exist. But suddenly, when I turned thirteen people started to disappear. First I noticed that Frank, a friend of my parents, wasn’t coming around anymore. My parents said he died of leukaemia. I had no idea what this meant, I was still innocent. Then a friend of mine hanged himself. I was…” she was searching for Albert’s eyes, gasping for air, “I mean, from that day I felt death growing inside me. I tried to find comfort in books. I remember I read that one Greek philosopher said something along the lines of 'death wasn't anything to bother you until you are in a coffin' but he was wrong. People still live in our memory. Albert, I am afraid of dying. I feel like I didn’t achieve anything. That sounds stupid, doesn’t it? I mean, I wanted to become an astronaut, well I certainly didn’t know that I was afraid of flying at that point, but I could have become an explorer of the Tristes Tropiques, hunting rare beetles. And now?”
“I love you, Gerti” was all Albert could answer. He felt it. It was a different feeling than the one he had had years before, neither adventurous nor breathtaking. No, this feeling was deep and as old as the oceans. Staring at the floor, ashamed of his tears, Albert felt how the thoughts were nagging at him, he too was afraid of dying. Had he reached his full potential? And was potential measurable through success? Her hand resting in his, Albert suddenly knew what he needed to do.


And now just a couple of minutes were left until he would see Gerti again. Maybe he could put on some music? All of a sudden he wasn't so sure what her favourite song had been. "Well, I guess she liked Haydn's symphony No. 94 as much as I do" he mumbled to himself whilst sliding the vinyl out of its sleeve. Albert had just set the needle down on the middle of the record – unaffected if it played from the beginning or not - when the doorbell rang, redeeming him from any guilt. Straightening his spine and making another hasty gesture towards his tie, Albert head towards the door.
He heard Phoenix before he saw him.
"Hi, Mr Gage. Damn hot outside, I’ve been sweating waterfalls in that car. Air con is broken. Have you slept well? I didn’t catch a wink. I have her in the back of the van. Should I get her out for you? She looks absolutely fantastic, the wig we found, just like your lady..." Phoenix had chattered before Albert had finished opening the door.
"Good afternoon, Dr. Phoenix," Albert responded. The first time he had met Phoenix was at a science fair. Albert immediately recognised the idea RoMan Technology had presented as a brave concept for the future, though he hadn't considered becoming a test pilot for the project when he had taken the business card from the doctor. But with Gerti having but a few months to live, the clock had been ticking. The only issue he had with Phoenix was his informal manner, which saw the doctor present himself as more of a washed up Californian beach boy than the leading bio-technician he was. He reminded Albert of a hyperactive Jack Russell, never bored of chasing a ball and always lacking the elegance of a Dalmatian.
"Oh... of course she isn't here with you. Silly me, what had I thought? Should I come with you and help her out of the car?"
"Ah, don't worry, mate, it isn't necessary. Why don't you just take a seat in your lounge and I will bring her in? Gertrude and I sat in there whilst I recorded her gestures and memories. I know the way just fine. Damn, I cannot wait to show her features to you, you really must see what this Gerti-bot can do." And with that Trevor Phoenix was tip tapping off to the van.
As there was nothing for him to do, Albert made his way back into the house. But there was no way on Earth he could sit down now. This moment was the prelude to a second chance; a chance to correct all of the disharmony married life had brought him the first time around, and one which had led him to this, to the grand finale.
"Holy crap..." Haydn couldn't have timed it better; Albert heard Phoenix's swearing intermingle with the very point of Hayden's drum stroke. He winced. "Everything okay, Dr. Phoenix?" Albert shouted, already on his feet, hurtling towards the main entrance.
Albert stopped. On the floor he saw a torso attached to a familiar face. A wig lay just next to it. And there was a voice, one he could not fail to recognise; the softness of Gerti's vowels over and over again: "I am able to converse with you but I am having a bit of a bad software day today. I am able to converse with you but..."
Loose wires dangled where the rest of Gerti should have been, Dr. Phoenix was on his knees, frantically poking and prodding at bits of the body.
"Fuck knows what happened. I must’ve slipped. Sorry. I'm really sorry about it. But I can fix it, I mean fix her, just a second. No worries, she will be alright." Albert heard Phoenix's panic stricken utterances from the depth of the floor.
"She?" Albert echoed, and for the first time he understood there was no Gerti. There was just a robot – a mechanical simulacrum. He felt embarrassed, had he really thought there were second chances? In front of him lay the testimony of a failed experiment: a nest of wires, fake skin and stolen memories. He needed a drink. Rather than embracing Gerti he kissed a bottle of scotch.           

Four weeks passed. Albert was again waiting in the living room, this time far more casually dressed. A radio hummed in the background as Albert awaited the arrival of a new and improved Gerti; he had called Phoenix a couple of times to ask about the process, to make sure every measure had been taken to fulfil his satisfaction. He absorbed articles about ‘mind uploading’ and made himself familiar with h+, which apparently was short for transhumanism. And some thoughts appeared in Albert for the very first time as he delved into the subject. He felt how Gertrude's death had paralysed him, how only the wish to get her back and make things right had dominated. But now, finally, he could envision the future.
 Before he would die, he could simply upload his mind to his robotic doppelganger as Gerti had done. He recalled how Dr. Phoenix had continuously visited their house over many weeks, carrying not much more than a computer pad and an mp3 player, and conducted intensive interviews with Gertrude. How they had taken the car, when Gerti's condition allowed it, to go to some meaningful places and how they had sat together, sifting through photo albums and how all too often Albert had heard Gertrude crying. Albert quickly suppressed the memory. Rather, he imagined how Gerti and he would become the celebrity human+ couple, role models for a future generation. Eventually Dr. Phoenix would get the recognition in his field and would be idolised by the masses for bringing immortality to their doorstep.
Gerti and Albert wouldn't even need to stay in an old body, they could return in a more youthful form, there would be no more crowded waiting rooms and late appointments at the doctors, all they would need was a good humanoid technician and some oil. And another thought shot through his neurotransmitters; when robot life seemed so much better, wasn't now the time to get rid of his body shell? For a short moment Albert shivered and he decided to get a drink, just in case. He had learned his lesson.
But before he could pour himself a glass of scotch, he was interrupted by the doorbell.
“I am on my way”, Albert yelled, sliding into his slippers. As he opened the door, he couldn’t take his eyes off her.
“Hello Albert, am I allowed to come in?” Gerti enquired.  
“Of course”, Albert mumbled looking up and down at Gerti as though he was seeing the birth of Venus. He soaked in every detail, waves of excitement rippled through his body. He regretted not putting on a suit and for a short moment he felt unworthy of her presence. Curiosity quickly replaced his inadequacies and he tried to spot differences between the electronic replica and the real Gerti. But not even an out of place wrinkle indicated that this was a Gerti-bot and not his wife.
She wore a touch of make-up, a crème costume and one of those Grace Kelly bags around her arm. A hat hid her hair and dark round sunglasses obscured her eyes. Phoenix stood a couple of steps behind her, waving at Albert, pointing first at Gerti and then giving him a thumbs up and a wide grin. Albert deliberately focused on Gerti, stepping aside to let her return home.
She entered; her head held up high and made her way to the living room. Albert could do nothing else but marvel at her backside. Her silhouette was an invitation to project his sexual desire and he wondered if her flesh would feel as soft as a human’s after the upgrade?
“You alright mate? A little bit speechless, eh? Yep, my team and I did a pretty good job on this one. Gerti has been splendid company - she wanted me to stop for a cocktail. That’s your new lady” Phoenix slapped Albert firmly on his back.
“Trevor, you shouldn’t speak in such a way about a lady” Gerti said, smiling at Phoenix as if she was his mother.
 “Well, uhm, would you like a drink then, Gerti?” Albert anxiously interjected, already pacing towards the mini bar.
“Gin and Tonic with three ice, please”, came the retort.
“I’ll take a lager” Phoenix interposed.
Before Albert could answer, the phone began to ring.
“I’ll get it!” Gertrude exclaimed, vanishing through the door into the next room.
“Most likely it will be Amos” Albert spoke to Phoenix while passing the beer. “Presumably he wants to make sure that I am alright. It will be quite a surprise for him to hear Gerti. He thought I had lost my mind when I told him about RoMan Tech.”
“Yeah, people always try to tell me that. We really outdid ourselves this time though. I mean Gerti is the hottest Bot we’ve ever made…”
“She does look unbelievably good. She seems to have gained her old strength back. She is irresistible, just like …” replied Albert. The last part of the sentence covered up by a loud crashing sound and Gertrude storming through the door.
“Alright Mrs Gage?” Phoenix asked sheepishly.
“No, I am not alright”, Gerti hissed, “Albert, do you know who was on the phone?” her eyes piercing through Albert who was offering a Gin and Tonic for her to take.
“I thought it might have been Amos?” Albert responded shyly.
“No, it wasn’t Amos. It was Linda. Your secretary.”
“Oh Linda. What did she want? I haven’t heard of her since…”
“You know what? Leave it Albert, leave it before I completely lose myself. I’ve fucking had it with you and your women. All through our marriage I sat here, waiting for you, the TV on, ironing your shirts, whilst you were off sleeping with your secretary!” Gerti thundered and Venus emerged as a Valkyrie.
“But Gerti, I…”
“But Gerti what? What do you want to tell me now? That you love me? That you ended it with her ages ago?”
“I did. Please, let me explain…”
“No, you listen to me now. I am sick of your lies. I am sick of you. Of your taking advantage of me for all these years. I adored you, I didn’t really see what was happening. It was so easy, wasn’t it? All that time, someone at home, a cleaning lady and babysitter in one. All she needed were nice little presents to pay her off, to keep her quiet. I couldn’t leave. Not with Amos. A son needs his father. But where was this father when he was taking his first steps? Who read good night stories to him while someone was doing ‘overtime’? And later, when Amos left the house, I was too scared, too old to start all over again. Where should I have gone? I had no income, no friends anymore. They got sick of me being so blind to you and your manipulative ways. I was a fool and I hated my life. But you simply didn’t care. And all I wished for was someone who cared.”
“But I was there for you when you got ill….”
“Yes, and you brought me back. But don’t think I don’t know your real motives. You are a coward. You are a lazy, selfish old man that suddenly realised what he would lose, had already lost, too scared to live on his own.”
Albert stayed quiet. Gerti had spat the last words out and he felt how they had covered him in shame. What could he say?
“But I tried to be good” he said in the silence. Suddenly he felt himself smash into smithereens. Was this him? The coward? The wretch?
“But trying is not enough. Not anymore Albert. You had your chances. I am going.”
“But where? You don’t have any money…”
“I can make plenty writing my biography. Dr. Phoenix will help me.“
In mentioning the doctor Albert saw a smirk growing on Phoenix’s face.
“Naturally I will help you Gerti. Chin chin”, he said, smiling as though nothing has happened and lifting his bottle to his puckered lips. It suddenly occurred to Albert that Phoenix was responsible for this mess. Maybe he had programmed her wrong?
“Then let’s go. I need a proper cocktail now, and I also want to find out about courses in anthropology.” Gerti strode out of the room, no smile upon her face, the cool flair of a mannequin.
“Wait, Gerti, please wait. Let me explain. Really…Linda…I”, but she had gone.
Trevor Phoenix followed Gertrude Gage, and inquiring of Albert “Where should I put the bottle mate? Any preferences?” followed by “I’m sorry it didn’t turn out as expected but you know how it is. You need to take it easy. And maybe I, I mean, if you want to become a robot….”
“No” was all Albert could respond.
He heard the door closing. Suddenly the room was terribly quite. He couldn’t stand the silence bawling out his shame.
Albert knocked back the drink. He went to the phone, removed it from the hook, started dialing and heard Linda’s voice “Hello”.
He cleared his throat. Words began to fall out of his mouth, like tears.


(4, 365 words)